Showing posts with label blue like jazz. Show all posts
Showing posts with label blue like jazz. Show all posts

Thursday, November 25, 2010

Jazz artists turn to Kickstarter for funding

by Chris Barton Los Angeles Times

With a tough economy sending artists and food entrepreneurs toward grass-roots "crowd-funding" sites such as Kickstarter, it's no surprise that jazz musicians have started looking its way as well. Facing a cratering music industry, some of the worthy projects looking for support online include Seattle trumpeter Jason Parker's quest to fund his quartet's tribute to Nick Drake's "Five Leaves Left" and the New York City-based Search and Restore's ambitious $75,000 goal to create a year-long video documentation and online hub for the city's ever-percolating "indie" jazz community.

On the local front, Long Beach-based composer-guitarist Chris Schlarb joined Kickstarter to finance a limited, 180-gram vinyl release of his album "Psychic Temple," a contemplative, four-song odyssey that was only released digitally today via Sufjan Stevens' Asthmatic Kitty label. As one half of the atmospheric drone-jazz duo I Heart Lung, Schlarb's vision has grown even more ambitious with this record, which features 29 musicians that include members of the Philip Glass Ensemble, the Brian Blade Fellowship as well as local fixtures such as Mike Watt, Steuart Liebig and Anthony Shadduck.

In terms of categorization, Schlarb admits in the album's promo video (after the jump) that "Psychic Temple" doesn't fit squarely into a traditional view of jazz, but it's easy to hear a spiritual connection. Touches such as sweeping nonverbal vocals, the fuzzily elastic bassline cascading over "White Dove in the Psychic Temple" or the keening trumpet of the Empty Cage Quartet's Kris Tiner on album-opener "I Can Live Forever If I Slowly Die" are as reminiscent of the epic scope of some '70s jazz as the cinematic excursions of modern post-rock groups such as Chicago's Boxhead Ensemble.

In keeping with Kickstarter's rules, Schlarb's effort is an all-or-nothing proposition -- donations are only collected if his $3,555 goal is met by a Dec. 2 deadline. Following a similarly tiered system that drummer Josh Freese used to court fans for his solo album last year, Kickstarter artists often include amusing incentives with higher donation levels. Search and Restore's offers include a home-cooked meal from the organizers or an improvised musical voicemail from the Bad Plus' drummer Dave King, while Schlarb's pot-sweeteners range from a digital download at the $10 level to a personal performance anywhere in the U.S. for the most deep-pocketed donor.

At the time of this writing, Schlarb is a little more than a $1,000 away from his goal, an effort he further described in an e-mail as "No debt. No distribution. Just music." What could be more revolutionary than that?
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Thursday, October 28, 2010

Donors Save 'Blue Like Jazz' Pic

By MIKE FLEMING Deadline.com | Thursday October 28, 2010 @ 10:49am EDT

Most films don't tap into moviegoer wallets until they reach theaters. But Blue Like Jazz, an adaptation of Donald Miller's faith-based book, waged a 30-day campaign that raised $346,000 from 3900 supporters. That allowed the film to overcome a budget shortfall and begin production yesterday in Nashville. Marshall Allman (True Blood) plays the lead role of Miller, Tania Raymonde (Lost) and Justin Welborn (The Crazies) also star. Steve Taylor is directing. The dough was raised through Kickstarter.com, and the flm's backers claim it's the largest crowd-sourced creative project ever. The book is about the author's spiritual journey and the donation campaign started when the author blogged that the movie version of his book would be placed on indefinite hold because an investor fell out for $250,000. Two fans, Zach Prichard and Jonathan Frazier, created a grassroots save-the-film campaign by launching Savebluelikejazz.com. One of the film's backers agreed to match the amount raised if it got to $125,000. That backer will match the $346,000. That gives the filmmakers an extra $450,000 that will be used for extra shooting days. The total budget of the film is under $5 million. These donors won't get their money back, but there were other incentives. The director has personally called around 300 of the donors so far, and between shots, will be logging phone time until he completes over 1000 thank you calls. Many donors will receive "associate producer" credit, which could mean the end credit roll will be longer than usual. But the filmmakers said the donors saved the movie.
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